Tag Archives: Publishing

Book Buzz: The Editor

If you are a person of a certain age (hello!) you lived through the days of Camelot and the fascination with the Kennedy family. Do you remember that in her later years the admired and glamorous Jackie O was a book editor? She was. And is, in The Editor.

The Editor

I just love the cover design incorporating Jackie O’s iconic sunglasses and the backdrop of New York City. This photo sets the stage for a heartwarming story about a young author’s relationship with the one and only Jackie.

The protagonist is a promising young writer James Smale, thrilled to find out that his debut novel has been accepted by one of the Big 5 publishing houses. When he learns that his editor will be none other than Mrs. Onassis (as he would come to call her), he is stunned and intimidated. Well, of course he is.

But as his professional relationship with Jackie O develops, he finds her to be approachable and down to earth, a thoughtful and responsive editor as well as a trusted friend. Jackie encourages him to strengthen parts of his novel by confronting difficult truths about his family that will help him write more authentically.

Author Steven Rowley captures the essence of Jackie O perfectly — the intellect, breathy voice, graceful presence. And her talent as an editor shines through as well. James, too, is drawn well, the talented writer filled with self-doubt and beset by writer’s block. I often say that my litmus test for great writing is believable dialogue, and Rowley is spot on with all his characters.

As I read “The Editor” with a lump in my throat, I recalled when Jackie O was in her final days in her New York apartment. She was quoted as saying she was in a good place, “surrounded by my family and my beloved books,” or something similar. I think she would have been happy about this novel.

A delightful read, “The Editor” gives us a tantalizing glimpse into the life of someone we admired and adored.

One of my lucky readers will receive a copy of “The Editor.” Please leave a comment on the Books is Wonderful Facebook page, and a winner will be randomly selected. US addresses only, please.

I received a copy of “The Editor” from G.P. Putnam’s Sons for an honest review, which is the only kind of review I write.

If you like my blog post, please share it!
Facebook Twitter Email Stumbleupon Pinterest Linkedin Delicious Reddit Tumblr Plusone Digg

What Ever Happened to Your Novel?

What Ever Happened to Your Novel?“How’s the novel coming along?”

“When will your novel be published?”

“Do you have an agent?”

My Novel Still Lives, Contrary to What You May Think

When you announce that you are writing a novel (which I did three years ago), these questions are typical of what you can expect. Friends and family members figure after all this time you must certainly be finished writing it. What would take so long?

The truth of the matter is … my truth, anyway … writing a novel is wayyyy harder than you think, and takes wayyyy longer than you could have imagined. I can’t emphasize wayyy strongly enough.

My WIP (work in progress) has had its fits and starts over the years. I successfully wrote the first draft for NaNoWriMo in 2014. I blogged about writing my second draft. I blogged about rewrites. I blogged about losing my momentum. Too much blogging and not enough writing, probably.

And then it was 2017.

2017 was a bad year for almost everything, including my novel, because I was consumed with outrage about the presidential election and chose to channel that anger through writing a newsletter for activists as well as dark humor pieces that I seldom shared but made me feel better.

It was cathartic for me, and I’m in a different place now. Still angry, still resisting, but giving myself permission to include some pre-Trump normalcy in my life.

2018 will be the Year of My Novel.

Here’s why. I am working with an amazing editor/mentor who really gets me, gets my story, and is motivating me with her questions and advice. We talk regularly on the phone. She is my sounding board and my cheerleader, and her collaboration has made a world of difference.

Also, I needed the time to take a fresh look at what I had written. Some of it was good and salvageable, but there were big changes that needed to be made, and the novel is so much better for making them. I’m excited about it again.

Now. About agents and publishers. When you write fiction, your piece must be in its final and complete form before said agent or publisher will even look at it. I’ve spoken with agents about my novel — the elevator pitch — who encouraged me to send them the manuscript when it’s done, and I will do so.

That said, here’s the truth. This is an awesomely competitive field. Very, very talented writers have works that have not been published. Fate may smile, or not. Rejection is a given in this line of work.

For context, did you realize these popular authors received multiple rejections for their novels? Talk about dispiriting! But also motivating for us writers to keep on trying.

HERMAN MELVILLE

Melville’s masterpiece, Moby-Dick, was turned down by multiple publishers, some of whom had creative suggestions for the author. Peter J. Bentley of Bentley & Son Publishing House wrote: “First, we must ask, does it have to be a whale? While this is a rather delightful, if somewhat esoteric, plot device, we recommend an antagonist with a more popular visage among the younger readers. For instance, could not the Captain be struggling with a depravity towards young, perhaps voluptuous, maidens?

 

 F. SCOTT FITZGERALD

“You’d have a decent book if you’d get rid of that Gatsby character.”

 Lord of the Flies by William Golding was rejected 20 times before it was published.

Gone with the Wind by Margaret Mitchell was rejected 38 times before it was published.

Carrie by Stephen King was rejected 30 times before it was published.

One rejection letter read: “We are not interested in science fiction which deals with negative utopias. They do not sell.”

Zen and the Art of Motorcycle Maintenance by Robert M. Pirsig was rejected 121 times before it was published.

Harry Potter and the Sorcerer’s Stone was rejected 12 times and J. K. Rowling was told “not to quit her day job.”

There is no shame in rejection. There is shame in not trying.

Check back with me in December. If my novel isn’t done, I owe you a dollar.

If you like my blog post, please share it!

Facebook Twitter Email Stumbleupon Pinterest Linkedin Delicious Reddit Tumblr Plusone Digg

The Life of a Book

The Life of a Book

The Life of a BookI have always been curious about the birthing process of a novel, especially when I finish one that I adore. How did this bundle of joy come into the world? What is the life of a book?

It starts with a gleam in the author’s eye, of course. What inspires her? How does she take a nugget of an idea and flesh it out? What sparks her imagination when she creates characters and a fictional world that draws us in?

Let’s say she completes the book and is lucky enough to find an agent who loves it and sells it. What happens next? As a novel travels through its own bookish birth canal, from conception through delivery, all kinds of things are happening behind the scenes that most of us are unaware of.

I’ve always been drawn to interviews in which authors can talk about their journey. And now, thanks to Penguin Random House, we can hear from selected authors about just that — as well as the book doctors and nurses critical to the book’s success.

The Life of a Book

Penguin Random House has a fascinating new interview series on its website called The Life of a Book that gives you a behind-the-scenes glimpse into the publishing process from start to finish.

If you read my blog last week, you know that I was smitten with Celeste Ng’s latest novel, Little Fires Everywhere. With its absorbing plot, unique and multi-dimensional characters, and modern-day look at complicated issues, Little Fires Everywhere stood out as an exceptionally good read.

So I was delighted to find out that Ng is one of the authors interviewed in a podcast for The Life of a Book series.

I listened to Ng’s interview, and if you’ve read the book (or even if you haven’t) I think you’ll enjoy hearing her musings on different aspects of her writing process. For instance, you’ll find out …

  • Is she a planner or a pantser? (Pantser means a writer who doesn’t rely on an outline but lets her characters lead the way in the story development)
  • Why she chose photography as the artistic persuasion of one of her characters.
  • What she felt the hardest part was to write.

It Takes a Village

I moved on to the interview with Virginia Smith, Senior Editor at Penguin Press, who spoke about the value of a team. Contributions from editors, cover designers, publicists, marketing experts all add up to make the book shine in every way.

Assistant Director of Publicity Juliana Kiyan explained how the publicity strategy for a sophomore novel differs from that of a debut. Her job is to spread book love among a targeted but widespread audience: readers, booksellers, the media and, of course, fans of Ng’s first novel. Sales Manager Megan Sullivan described the fun of getting to read galleys (uncorrected proofs) months in advance so she can start creating a buzz long before the novel is published.

Jaya Miceli, the cover designer, shared what she looks for in cover art; how it must relate to and capture the mood of the writing.

You can find all this on Penguin Random House’s blog, The Perch, along with interviews of other authors and publishing professionals.

Happy reading!

If you like my blog post, please share it!

Facebook Twitter Email Stumbleupon Pinterest Linkedin Delicious Reddit Tumblr Plusone Digg